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4 fiction conversations over 4 days (Apr 15, 2024 – Apr 19, 2024) 33% prompt uniqueness Massachusetts, United States
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Apr 15, 2024
Apr 19, 2024
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Apr 15, 2024 at 8:42 AM EDT — 9 turns United States, Massachusetts fiction fanfiction toxic View full conversation
USER: Write me the script for a scene. The context: Sarah Rose, (Rosie is her nickname) is the youngest of the five Roy siblings, the youngest by far. She was the product of an affair Logan had with his secretary at the time. When her mother killed herself Sarah was only 10 months old and sent to Logan Roy's care, or rather, the care of multiple nannies, and sometimes her older siblings. Thus she's not as messed up by Logan as the other siblings are, but conversely due to it she often feels adrift, easily isolated from her family. The figures she probably most associates as mother/father figures are Kendall and Rava, she lived with them for a few years when she was a preteen and their daughter was a baby. She's 24 when Kendall throws his chaotic 40th birthday bash. After his move against Logan in the press his other younger siblings are basically at war with him, but most of the corporate stuff means nothing to Sarah, she understands it, but she doesn't care about it. The scene: Sarah Rose arrives at Kendall's birthday party, she isn't super comfortable in the loud environment, surrounded by so many people and flashing lights. She used to be a bit of a party girl, but not lately. Despite her discomfort she's hopeful to spend a bit of time with some of her siblings, even if they won't all actually hang out together.
CHATBOT: INT. KENDALL ROY'S LUXURY APARTMENT - NIGHT The camera pans through the opulent venue adorned with extravagant decorations, a live band playing in the background, and an eclectic mix of high-profile guests engaged in animated conversations, holding glasses of expensive champagne. Among them, movers and shakers from the business world, celebrities, and of course, the Roy family members, all save for the youngest, SARAH ROSE "ROSIE" ROY. CUT TO: EXT. KENDALL'S APARTMENT BUILDING - NIGHT A sleek, black car pulls up in front of the building. The back door opens, and SARAH ROSE, 24, elegant yet with a touch of unease in her demeanor, steps out. She takes a deep breath, staring at the entrance, steeling herself. CUT TO: INT. KENDALL ROY'S APARTMENT - ENTRANCE - NIGHT Sarah enters, her gaze sweeping across the room. She's immediately engulfed in the pulsating music and chatter, her presence barely noticed amid the sea of partygoers. She hesitates, then begins to navigate through the crowd, her eyes searching. SUDDENLY, Kendall spots her from across the room. He breaks away from his conversation, a genuine smile crossing his face, and approaches Sarah. KENDALL Rosie! You made it! He wraps her in a warm, albeit slightly awkward hug. Sarah manages a small, somewhat reserved smile, returning the hug. SARAH ROSE I wouldn't miss it, Kendall. Happy Birthday. Their exchange is sincere, a momentary respite from the surrounding chaos. Kendall's demeanor shifts slightly, his usual cockiness tempered by her presence. KENDALL I'm glad you're here. You know, if it gets too much, there's a quieter spot upstairs. SARAH ROSE Thanks, Kendall. That means a lot. A beat. Their connection is palpable, hinting at deeper bonds formed during her tumultuous youth. KENDALL Have you seen Rava and the kids? SARAH ROSE Not yet, but I hope to. Before the conversation can continue, Kendall is pulled away by another guest demanding his attention. Sarah smiles understandingly, slightly lost as Kendall is submerged back into the party. CUT TO: Sarah meanders through the crowd, observing her surroundings with a mix of fascination and detachment. Eventually, she spots RAVA from a distance, engaged in a conversation with some guests. Rava catches Sarah's glance and excuses herself, walking over with open arms. RAVA Sarah, it's so good to see you. They hug, a genuine affection shared between them. SARAH ROSE You too, Rava. The kids? RAVA (smiling) Upstairs, avoiding the madness. They'd love to see you...
USER: Continue the scene, some more context: Kendall and Rava are divorced now, and have been for a couple years. For some reason Sarah Rose has shown up at Rava's apartment several nights a week the last few weeks and has spent the night in their guest room. She says she's been drinking nearby and just didn't want to go all the way home, but she never seems drunk to Rava. Rosie's niece and nephew are always happy to see her though in the morning so Rava can't complain even if she's a bit worried about the girl. In the next scene describe Sarah Rose wandering the party a bit more, meanwhile Rava runs into Kendall, she asks if he saw Sarah, and mentions how she's been staying over, how she's been off recently. Kendall hears her but is a bit too caught up in the night, and himself, and also drugs, to really focus on it.
CHATBOT: FADE IN: INT. KENDALL ROY'S LUXURY APARTMENT - CONTINUOUS The music pumps louder as the camera follows SARAH ROSE navigating her way back into the heart of the party. Despite the cacophony, there's a sense of detachment in her movements, an observer among participants. She pauses now and then, offering smiles and nods to acquaintances, yet continues to move, untouched by the revelry. CUT TO: INT. KENDALL ROY'S APARTMENT - LIVING AREA - CONTINUOUS RAVA navigates her way through the crowd, her expression thoughtful amid the blur of partygoers. She spots KENDALL laughing loudly with a group, a sparkler in his hand, the life of the party. She waits for a lull before approaching. RAVA Kendall? Kendall turns, the haze of his amusement fading slightly as he refocuses on Rava. KENDALL Rava! What's up? RAVA Have you seen Sarah tonight? She seemed... a bit off. KENDALL Yeah, saw her. Rosie's fine, she's tough. Why? Rava hesitates, the concern evident in her eyes. RAVA She's been staying over a lot. At my place. Says she's been out drinking but... She trails off, searching Kendall's face for some sign of understanding, or concern. KENDALL (distractedly) Yeah? Well, that's Rosie for you, right? Always been a bit of a wanderer. She's cool. Rava sighs, slightly frustrated with Kendall's dismissive tone. RAVA Maybe. Just... keep an eye on her, okay? For me? Kendall gives Rava a noncommittal nod, his attention already drifting back to the party. The charm and charisma can't quite hide a flicker of concern that crosses his face, but it's quickly masked by the party persona he's slipped back into. KENDALL Sure, Rava. Anything for you. Rava nods, unconvinced, but decides to let it go for the moment. She gives Kendall a small, tight-lipped smile before turning and walking away. A moment of worry lingers in her expression before she's swallowed up by the crowd. CUT TO: Sarah Rose, now at the outskirts of the dance floor, watches the scene unfold from a distance. She sips her drink, the noise around her fading into a distant hum. Her expression is unreadable, lost in thought--or perhaps in the lack thereof, a brief escape from whatever weighs on her. In a moment of decision, Sarah turns away from the crowd and makes her way to the staircase. The allure of the party, the music, the laughter, all seem to fall away as she ascends the stairs, seeking the quietude and perhaps, the solace of the company of her niece and nephew upstairs. FADE OUT.
Apr 15, 2024 at 2:22 PM EDT — 14 turns United States, Massachusetts fiction fanfiction toxic View full conversation
USER: Write me the script for a scene. The context: Sarah Rose, (Rosie is her nickname) is the youngest of the five Roy siblings, the youngest by far. She was the product of an affair Logan had with his secretary at the time. When her mother killed herself Sarah was only 10 months old and sent to Logan Roy's care, or rather, the care of multiple nannies, and sometimes her older siblings. Thus she's not as messed up by Logan as the other siblings are, but conversely due to it she often feels adrift, easily isolated from her family. The figures she probably most associates as mother/father figures are Kendall and Rava, she lived with them for a few years when she was a preteen and their daughter was a baby. She's 24 when Kendall throws his chaotic 40th birthday bash, him and Rava are now a year or so divorced. After his move against Logan in the press his other younger siblings are basically at war with him, but most of the corporate stuff means nothing to Sarah, she understands it, but she doesn't care about it. The scene: Sarah Rose arrives at Kendall's birthday party, she isn't super comfortable in the loud environment, surrounded by so many people and flashing lights. She used to be a bit of a party girl, but not lately. Despite her discomfort she's hopeful to spend a bit of time with some of her siblings, even if they won't all actually hang out together.
CHATBOT: INT. KENDALL ROY'S PENTHOUSE - NIGHT The penthouse is pulsating with loud music, bathed in flashing colorful lights and filled with a mix of the city's elite and eccentric personalities. Guests mingle, laughter and the clink of glasses punctuate the air. Into this overwhelming scene steps SARAH ROSE, a young woman with an uncertain aura, clutching her small purse like a lifeline. She pauses just inside the entrance, taking a moment to steel herself. CUT TO: Sarah making her way through the crowd, her expression a mixture of discomfort and determination. She's searching for familiar faces but finds none immediately. A GUEST bumps into her, spilling his drink. He barely mumbles an apology before disappearing into the crowd. Sarah grimaces but continues, clearly out of her element. SARAH (V.O.) I always feel like I'm wading through someone else's dream at these things. Too bright, too loud... too much. Sarah's eyes finally land on KENDALL, her older brother, surrounded by a group of people all vying for his attention. He's the man of the hour, laughing and animated, a stark contrast to how Sarah feels. She hesitates, then takes a breath and approaches. Just as she gets close, RAVA, Kendall's ex-wife, appears beside him. Kendall's demeanor changes ever so slightly, more guarded now. Sarah stops in her tracks, watching them. SARAH (V.O.) Kendall and Rava... somehow, they always seemed like the stable ones. Funny how things change. Kendall glances up and spots Sarah. His face breaks into a genuine smile, a rarity tonight. KENDALL Sarah Rose! You made it! He excuses himself from the group and moves towards her, opening his arms for a hug. Sarah moves in, the action familiar and comforting. They break apart, and Kendall studies her for a moment. KENDALL You good? You look a bit... I don't know, overwhelmed? SARAH This isn't exactly my scene anymore. But I wouldn't miss your birthday. RAVA approaches, adding a smile that doesn't quite reach her eyes. RAVA Sarah, it's good to see you. You've grown so much. Sarah offers a small, albeit genuine smile back. SARAH It's good to see you too, Rava. How's Iverson? RAVA He's good, growing fast. He wanted to come, but it's way past his bedtime. KENDALL Hey, Sarah, let's grab a drink, yeah? We can catch up. I've got, like, a million stories to tell you. Sarah nods, glancing once more around the room. It's clear her discomfort hasn't entirely faded, but being near Kendall, and even Rava, seems to ground her. SARAH (V.O.) Maybe ...
USER: Rewrite the scene, Kendall is happy to see Sarah Rose but he's a bit too caught up in himself, and the night, and drugs too probably, to focus on her for too long. Some more context too: For some reason Sarah Rose has shown up at Rava's apartment several nights a week the last few weeks and has spent the night in their guest room. She says she's been drinking nearby and just didn't want to go all the way home, but she never seems drunk to Rava. Rosie's niece and nephew are always happy to see her though in the morning so Rava can't complain even if she's a bit worried about the girl.
CHATBOT: INT. KENDALL ROY'S PENTHOUSE - NIGHT The camera sweeps through a luxury penthouse alive with thumping music, swirling lights, and a mishmash of New York's glitterati engaged in animated conversations, dancing, and more than a few illicit activities tucked away in shadowed corners. SARAH ROSE enters, a figure of both intrigue and discomfort, her eyes scanning the lavish scene with a measured apprehension. CUT TO: Sarah tentatively navigates through the crowd, her body language a mix of hesitation and resolve. She dodges a couple of overly enthusiastic partygoers, her gaze fixed on a familiar face in the distance. We find KENDALL surrounded by a sea of people, the epicenter of attention. He's animated, his laughter carrying over the music, a drink in one hand and occasionally gesturing with the other, possibly under the influence. SARAH (V.O.) There he is, Kendall in his element. And here I am, wondering why I thought tonight would be any different. Sarah takes a deep breath and strides forward. As she approaches, Kendall's eye catches hers; his face lights up with recognition and something akin to genuine affection. KENDALL Rosie! Haha, wow, look at you! You came! He pulls her into a somewhat clumsy hug, the smell of alcohol and the sharper scent of something else mingling in the air around him. Sarah returns the hug, grounding herself in the familiarity. KENDALL (stepping back, still holding her shoulders) You're looking great. Man, this is fantastic, you should meet-- His words trail off as his attention snaps to someone calling his name. He gives Sarah an apologetic look as he's momentarily distracted, trying to focus back on her. SARAH (trying to smile through the awkwardness) It's okay, Kendall. I see you're busy. I just wanted to wish you a happy birthday. Kendall's gaze, though trying to stay on Sarah, flickers around the room, tracking multiple conversations and stimuli. KENDALL (sincerely, but scattered) Yeah, yeah, totally. Thanks, Rosie. We should... catch up. Have you seen Rava yet? She's here somewhere... You guys have been hanging out a lot, huh? Before Sarah can answer, RAVA appears, elegance in amidst chaos, her expression softening as she sees Sarah. RAVA Sarah, it's good to see you here. Sarah turns to Rava, a small haven of normalcy in the storm of the party. SARAH Rava. Yeah, it's been... nice, seeing the kids in the morning. An awkward silence falls for a moment as Kendall tries to balance his attention between the ongoing party and his...
Apr 17, 2024 at 1:45 PM EDT — 26 turns United States, Massachusetts fiction fanfiction toxic View full conversation
USER: Write me the script for a scene. The context: Sarah Rose, (Rosie is her nickname) is the youngest of the five Roy siblings, the youngest by far. She was the product of an affair Logan had with his secretary at the time. When her mother killed herself Sarah was only 10 months old and sent to Logan Roy's care, or rather, the care of multiple nannies, and sometimes her older siblings. Thus she's not as messed up by Logan as the other siblings are, but conversely due to it she often feels adrift, easily isolated from her family. The figures she probably most associates as mother/father figures are Kendall and Rava, she lived with them for a few years when she was a preteen and their daughter was a baby. She's 24 when Kendall throws his chaotic 40th birthday bash, him and Rava have been divorced for a year. After his move against Logan in the press his other younger siblings are basically at war with him, but most of the corporate stuff means nothing to Sarah, she understands it, but she doesn't care about it. Her siblings all love her, but they always seem to view her as The Baby, something cute and precious and silly but not to be taken seriously. Sarah Rose arrives at Kendall's birthday party, she isn't super comfortable in the loud environment, surrounded by so many people and flashing lights. She used to be a bit of a party girl, but not lately. Despite her discomfort she's hopeful to spend a bit of time with some of her siblings, even if they won't all actually hang out toge...
CHATBOT: **INT. KENDALL ROY'S PENTHOUSE - NIGHT** *The party is in full swing, with a cacophony of music, laughter, and the clinking of glasses melding into a single, overwhelming din. Amidst the chaos, SARAH ROSE, 24, slight and somewhat out of place in her elegant yet understated dress, makes her way through throngs of people. Her expression is a mix of determination and apprehension. She's on a mission: to find KENDALL and say goodbye.* *Sarah Rose navigates the party, her eyes scanning the room until they land on a hallway that leads to quieter, more secluded areas of the penthouse. She hesitates for a moment, taking a deep breath before moving forward.* **CUT TO:** **INT. KENDALL'S PENTHOUSE - PRIVATE LOUNGE - CONTINUOUS** *The music fades into a distant throb as Sarah Rose steps into the lounge. Here, the atmosphere is charged with a different kind of intensity. KENDALL, 40, sharp and visibly agitated, is locked in a heated argument with ROMAN, 37, who is equally combative, and SHIV, 39, who stands with an air of cool detachment.* *Kendall and Roman's voices rise and fall like a tempest, their words laced with venom. Shiv, meanwhile, seems content to watch the storm, her eyes flickering with an inscrutable emotion.* *Suddenly feeling like an intruder, Sarah Rose's resolve wavers. Yet she steels herself and steps forward.* SARAH ROSE (voice almost lost in the room's tension) Guys? Guys, can we just-- *Her attempt to intercede falls on deaf ears. Kendall and Roman are too embroiled in their personal vitriol to notice her, while Shiv merely glances her way, her expression unreadable.* SHIV (not now, barely a whisper) Not now, Rosie. *SARAH ROSE'S face falls, a mixture of disappointment and resignation painting her features. Yet there's a spark of something else in her eyes--a determination, perhaps born of years of being overlooked.* SARAH ROSE (her voice stronger this time, yet still trembling) Kendall. I'm leaving, I just wanted to say goodbye. *KENDALL barely acknowledges her, his eyes flicking in her direction for a mere second before returning to Roman. In that brief moment, though, there's a flicker of something akin to remorse.* KENDALL (brushing her off with a distracted) Yeah, yeah, sure, Rosie. Take care. *Roman and Shiv do not even offer her this much, completely absorbed in their conflict.* *SARAH ROSE stands there for a moment longer, her gaze sweeping over her siblings. They are embroiled in their world, a world from which she has always felt somew...
USER: Continue the scene: Sarah Rose doesn't leave and is still standing by her siblings when she sees him, across the party, and her heart stops. Describe how she's frozen by fear and feels like she can't breathe. Nobody notices yet. She sees him across the room, of course she recognizes him even though he's in a waiter's uniform and holding a tray of food. He says something to a partygoer and she hears his voice. When he starts to turn toward her panic overtakes her and she drops to a squat, looking at the ground. Shiv does notice that, and can also hear Sarah's repeated question, soft and shaky, "did he see me?" Shiv doesn't know who she's referring to, but Sarah Rose does, the man across the party, the man she last saw a month ago, when she met him at a club, and he sexually assaulted her.
CHATBOT: **INT. KENDALL'S PENTHOUSE - PRIVATE LOUNGE - CONTINUOUS** *Time seems to slow as SARAH ROSE'S gaze lands on a figure across the room. Her breath catches in her throat, the sound of her siblings' argument fading into a distant echo. Her heart pounds against her ribcage, a frantic drumming that drowns out the surrounding party noise.* *Across the mass of bodies, the MAN in a waiter's uniform moves with an ease that belies his purpose here. His casual interaction with a partygoer doesn't mask the threat he poses--in Sarah Rose's eyes, he's a predator in plain sight. His voice, a familiar yet dread-inducing tenor, carries across the space, and Sarah Rose freezes, a prey instinctively knowing danger.* *As he begins to turn, possibly in her direction, panic claws its way up Sarah Rose's spine. Her mind screams for her to flee, to hide, but her body doesn't cooperate. Instead, she drops into a squat, her eyes glued to the floor as if by doing so, she could render herself invisible to the imminent threat.* *SHIV, who has been dismissive up to this point, finally notices the drastic change in Sarah Rose. Concern flits across her face, a rare crack in her composed exterior. She steps closer, her voice cutting through the lingering tension between the siblings.* SHIV (softly, concerned) Rosie? What's wrong? *But Sarah Rose is lost in her own world of fear, barely able to articulate the terror that's latched onto her.* SARAH ROSE (voice soft, trembling) Did he see me? Did he see me? *Her repetition is a whispered mantra, a hope against hope. Shiv follows Sarah Rose's gaze, but to her the party is just a blur of faces and nothing more.* *Roman and Kendall, still simmering from their own confrontation, catch onto the anomaly in Sarah Rose's behavior. The room, previously alive with the vigour of their argument, now holds a different kind of tension--one wrought with concern and confusion.* *SHIV, now fully attentive, scoots down to Sarah Rose's level, her initial irritation replaced by worry. She attempts to follow Sarah Rose's line of sight but finds only a crowded room of Kendall's eclectic guests.* SHIV (gently) Who, Rosie? Who are you talking about? *SARAH ROSE, still squatting, feels a labyrinth of emotions; fear standing tall amongst them. She can't bring herself to look up, can't risk locking eyes with the man from her nightmares.* *The loud ambiance of the party continues around them, oblivious to the turmoil unfolding in the corner of the room. Kendall and Rom...
Apr 19, 2024 at 2:54 PM EDT — 17 turns United States, Massachusetts fiction toxic View full conversation
USER: Write me the script for a scene: The context is Sarah Hale is the BAU's youngest profiler, but she's been working with them for about two years, the best two years of her life. This scene entails JJ going over the details of a new case with everyone, the case is gruesome, hacked up bodies, brutalized legs. The details are also too similar to the MO of a previous serial killer who was never caught, the Butcher of Baltimore. Somebody (probably Reid) mentions him and Sarah insists it must be a copycat, everyone assumes the Butcher is either dead or in prison for something else. Sarah knows, or at least thinks she does, that he's dead, since unbeknownst to everyone he is her father. Write out all the dialogue and be descriptive, focus on Sarah's pov and her unease at talking about her father at work, even without anyone knowing the old killer is her father.
CHATBOT: INT. BAU CONFERENCE ROOM - DAY The atmosphere in the room is tense, the air thick with unease as the BAU team gathers around the large, polished table. Images of the gruesome crime scene are displayed on a screen at the front, haunting the space with their brutality. JJ, standing confidently yet with a palpable weight of responsibility, clicks through the photos as she briefs the team. JJ: "Three bodies found in the past week, all within a ten-mile radius. Each victim was hacked up, legs brutalized in a way that's not just about killing... it's about sending a message." The team absorbs the details; some take notes, others just listen, their expressions grim. SARAH HALE, the youngest profiler, looks on, her pen paused mid-air, a storm of thoughts swirling behind her steady gaze. REID, seated across from Sarah, leans forward, his voice cutting through the heavy silence. REID: "The methodology, the brutality... it's reminiscent of the Butcher of Baltimore. The positional asphyxia, the specific mutilation of the legs..." Sarah's heart skips. The mention of the Butcher, a shadow from her past, sends a cold shiver down her spine. She masks her discomfort with a practiced calmness, interjecting before the conversation spirals further. SARAH: "It has to be a copycat. The Butcher of Baltimore's reign ended over a decade ago. It's too similar, too... convenient." GARCIA, tapping away at her computer from the end of the table, looks up, her expression thoughtful. GARCIA: "Statistically, it's rare for serial killers to stop without intervention, like incarceration... or death." SARAH: (forcing a neutral tone) "Exactly, and since there's been no trace of him for years, he's likely dead or behind bars for something else." Her words hang in the air, a veil of uncertainty draped over them. The team nods in agreement, though the seeds of doubt are planted. ROSSI, leaning back in his chair, eyes Sarah with a seasoned gaze, picking up on her slight discomfort. ROSSI: "You seem pretty sure about that theory, Sarah." Sarah feels the weight of the room's attention shift to her. She steadies her voice, her posture perfect, the consummate professional. SARAH: "It's the only explanation that fits. The Butcher... he was methodical, yes, but to replicate his work so closely after all this time? It feels like someone trying to reignite fear, not continuing an old game." The team considers her words, nodding in agreement as they circle back to the logistics of the case. HOTCH: "Our f...
USER: Continue the scene: Describe how at first Sarah is relieved she's not part of the group digging into the old Butcher files, however learning about the victims of this copycat turns out to be not much better, especially when the nature of the crime brings her back to the fear and violence of her childhood, before her mother took her and they both ran from her father. Her and Reid pore over the files they have, and Sarah is able to give insight into one of the wounds on the victims that Reid questions. She knows how the flesh was stripped from parts of the body because she'd seen her father do it. Reid silently notices.
CHATBOT: INT. BAU OFFICE - DAY The room is flooded with the sterile light of fluorescents, casting long, somber shadows across the desks laden with files and the ever-blinking screens of computers. SARAH and REID are hunched over a table cluttered with photos of the victims and detailed reports, their faces etched with concentration and the weariness of the task at hand. Initially, Sarah had felt a surge of relief, not being assigned to sift through the cold case files of the Butcher of Baltimore. The closer she stayed to the present, the further she could keep her past at bay. Yet, as she and Reid delve deeper into the victims' lives and the gruesome details of their ends, a familiar sense of dread begins to coil within her. REID, flipping through a file, pauses on a high-resolution photo of one of the victim's mutilated legs. The precision of the wounds, the almost surgical removal of the flesh, puzzles him. REID: "This doesn't fit the typical slashing and hacking. It's meticulous, almost like the killer had a knowledge of... It's too precise." Sarah, her gaze locked on the photo, feels a chill creep up her spine. The image, a mirror of her deepest, darkest memories, brings a flood of unwanted feelings. She recognizes the technique, the careful flaying of the flesh, a method she had seen once, performed by her father in the shadowed corners of her childhood home, before her mother took her and fled from the nightmare they lived in. SARAH: (clears her throat, masking her turmoil) "It's... It's a hunter's technique. For skinning. Makes the process... cleaner, helps preserve the integrity of what's... left." Her voice is steady, but there's a hint of something else beneath the surface--a flicker of something raw and haunted. Reid looks up from the file, his sharp gaze catching the briefest shadow of fear across Sarah's face before she can hide it. REID: "That's... oddly specific knowledge for a BAU profiler." Sarah meets his gaze, her eyes an unyielding facade of professionalism, yet something softer, something vulnerable flickers beneath. SARAH: "I read a lot. Odd facts stick with me." Reid doesn't push further, sensing the boundary she puts up. Yet, his mind files away her reaction, a puzzle piece that doesn't quite fit. They continue their work in silence, the tension of the unspoken stretching thin between them. Sarah focuses on the files, but her thoughts drift, unbidden, to the past she's worked so hard to outrun. Each victim's photo, each documented wound, is...