User 2a28eab6a25a... - AI Fiction in the Wild

Estimated User #48

Back to search

3 fiction conversations over 1 year (Apr 10, 2023 – Apr 25, 2024) 77% prompt uniqueness Connecticut, United States

Activity Timeline ▶

Apr 10, 2023

Apr 25, 2024

All conversations

Conversation Clusters (343)

TF-IDF Sentence ▼

3 conversations in cluster Cluster 18× “[Return just the main response. Take out the pre-text and th...” over 17 minutes (Sep 17, 2023 – Sep 17, 2023), oldest first. Show: 10 15 50 100

Sep 17, 2023 at 5:59 AM EDT — 2 turns United States, Connecticut fiction View full conversation

USER: [Return just the main response. Take out the pre-text and the post-text] Summarize "JUPITER: We're rolling. Shall we? All 4 personnel step through SCP-7557 into a large gallery with numerous ancient Egyptian sculptures on display. Dramatic lighting from adjacent rooms spill into the gallery through numerous windows. Drs. Karstensen and Hanania move about to inspect and photograph the sculptures, while XERXES sets up the automatic tape dispenser near SCP-7557. After recording a panorama of the gallery, JUPITER approaches Dr. Hanania. JUPITER: So, what's the verdict with these ones? HANANIA: Hrmm. These things are indistinguishable from the ones out in the actual museum. This tells us nothing about the nature of the anomaly. KARSTENSEN: Likewise. Let's move in further. How's the tape machine, XERXES? XERXES sticks out a thumbs up as the tape dispenser activates. It follows behind the group as they walk out of the room and into another hallway. [9 minutes of extraneous footage removed for brevity.] HANANIA: Might be some kind of, what was the word? Tessellation? Of the actual British Museum? XERXES: I should hope so. We'd have an actual use for this map I brought. XERXES pulls out a paper leaflet from their breast pocket. KARSTENSEN: We'll find out soon enough. We're approaching the main atrium, so if w-- The group enters a large gallery built in architectural styles distinct from the rest of SCP-7557-1 thus far. It is elaborately decorated with mirrors, gold leaf, and ornately ...

CHATBOT: The personnel enter a large gallery filled with ancient Egyptian sculptures. They find that the sculptures are indistinguishable from the ones in the actual museum, providing no insight into the anomaly. The group continues exploring and enters a different gallery that is distinct in architectural style. Inside, they discover multiple pedestals with thick, yellowed books. The researchers are surprised and excited by these exhibits. Dr. Hanania suddenly collapses after looking into a doorway, leading to the discovery of a large pyramid in a dark room. The log ends with the personnel in shock.

USER: [Return just the main response. Take out the pre-text and the post-text] Summarize "At time of writing, over 1,600 square kilometers of internal space has been documented by exploration efforts. Attached below is an excerpt from a list of documented SCP-7557-1 items, with descriptions written by Foundation personnel. Item Code: 7557-QSHM-1915 Description: A painted terracotta sculpture of a war chariot in a style consistent with that of the terracotta sculptures found in the mausoleum of Qin Shi Huang. Notably, the chariot is drawn by an unidentified dinosaurian organism, thought to be an undiscovered ornithopod. Date of Origin: 200s BCE Location of Origin: Xi'an, China Item Code: 7557-CVBF-2331 Description: A large oil painting identified as The Lovers: The Poet's Garden IV by Vincent van Gogh. Confiscated by the Nazi German regime in baseline reality, and has remained missing since. Item does not exhibit any signs of damage or deterioration typically associated with contemporary artworks recovered from Nazi custody. Date of Origin: 1888 CE Location of Origin: Arles, France Item Code: 7557-LDCT-3645 Description: A collection of recipes, cooking techniques, and notes written on 3 pieces of parchment. Analysis of the artifact reveals the parchment to be human leather, and the ink to be dried human blood. Date of Origin: 6th millennium BCE Location of Origin: Qawet, Daevastan Item Code: 7557-TFTO-4005 Description: A hanging oil lamp made of Islamic glass, gilded in thin gold le...

CHATBOT: Over 1,600 square kilometers of internal space have been explored in SCP-7557. The document includes descriptions of various items found, such as a terracotta sculpture of a war chariot drawn by an unidentified dinosaurian organism, a missing Vincent van Gogh painting that shows no signs of damage, a collection of recipes written on human leather with dried human blood as ink, an oil lamp with a hidden map of Silk Road trade routes, and a marble sarcophagus with engravings in multiple languages.

Cluster 18

Sep 17, 2023 at 6:13 AM EDT — 2 turns United States, Connecticut fiction fanfiction View full conversation

USER: [Return just the main response. Take out the pre-text and the post-text] Summarize "JUPITER: We're rolling. Shall we? All 4 personnel step"Dr. Hanania is seen walking with a slight limp in front of the group, peering left and right through SCP-7557 into a large gallery with numerous ancient Egyptian sculptures on display. Dramatic lighting from adjacent rooms spill into the gallery through numerous windows. Drs. Karstensen and Hanania move about to inspect and photograph the sculptures, while XERXES sets up the automatic tape dispenser near SCP-7557. After recording a panorama of the gallery, JUPITER approaches Dr. Hanania. JUPITER: So, what's the verdict with these ones? HANANIA: Hrmm. These things are indistinguishable from the ones out in the actual museum. This tells us nothing about the nature of the anomaly. KARSTENSEN: Likewise. Let's move in further. How's the tape machine, XERXES? XERXES sticks out a thumbs up as the tape dispenser activates. It follows behind the grouparchways and doors as they walk out of the room and into anotherdown a hallway. [9 minutes of extraneous footage removed for brevity.]KARSTENSEN: Are you sure you're well enough to keep going, Karim? HANANIA: Might beAnd miss all this? Not a chance. Who knows what lost artifacts we could stumble across in this place? Plus, I've already slept off most of the pain. JUPITER: So, uh, would you say this anomaly is making copies of items and buildings in baseline reality and displaying them here? HANANIA: Quite possibly so. You saw the Amber Room earlier, but the books inside? Much older. We don't even have tabs on them, much less a copy sitting in a deepwell somewhere. They have been wholly lost to the sands of time, and yet, here they are. KARSTENSEN: I'm not too convinced that's the case. We don't have the ability to cross-reference nor verify the authenticity of some kind of, what was the word? Tessellation? Of the actual British Museum? XERXES: I should hope so. We'd have an actual use for this map I brought. XERXES pulls out a paper leaflet from their breast pocket. KARSTENSEN: We'll find out soon enough. We're approaching the main atrium,of these lost items, so if w--how do we know they're actually copies of the real thing? How do we know these actually existed? The group enters a largeenter a gallery built in architectural styles distinctat the end of the hallway. Drs. Hanania and Karstensen can be heard debating heatedly in the background. JUPITER approaches XERXES with the camera, who is looking at a red, white, and green tricolor banner hanging on a nearby wall. XERXES: Hey. Take a look at this thing. Take a guess at which flag this is without reading the placard. JUPITER: The flag of Hungary? XERXES: Yeah, no. Apparently, this is the flag of the Republic of Britain after the English Revolution of 1788. JUPITER: The what? As JUPITER looks around the room, numerous exhibits such as muskets, artillery, and a guillotine are visible. Drs. Hanania and Karstensen also take notice of this, the latter gesturing to a nearby painting of the execution of a King James IV in London with a smug expression. KARSTENSEN: See? There's more to this place than what you thought. HANANIA: Sure, but how do we know this isn't something that was erased by some retrocasual anomalous event? Hell, maybe there's something beyond our clearance level that's responsible for such a situation. The two continue to debate on the ramifications of the existence of ahistorical exhibits, while XERXES is seen walking into an adjacent gallery, staring at something off-screen. JUPITER follows while waving at the doctors to come along. As she peers out of the doorway, XERXES is revealed to be staring at a fragment of white brick wall, dirtied by blast marks and bullet holes. Painted in black on the wall fragment is the logo of the SCP Foundation. XERXES begins to speak dryly, reading off the accompanying placard. XERXES: "Wall section from the rest of SCP-7557-1 thus far. It is elaborately decoratedSCP Foundation Site-120". XERXES looks back at JUPITER with mirrors, gold leaf, and ornately carved amber panels. Inside the room itself sits multiple pedestals mounted with thick and yellowed books. Drs. Karstensen and Hanania silently stare at each other before darting towards the exhibits. XERXES tosses the leaflet over their shoulder. JUPITER: I take it this isn't part of the actual museum?his eyes wide open. XERXES: Judging by their reaction, I don't think this stuff is in any museum. JUPITER and XERXES look on as Drs. Karstensen and Hanania excitedly photograph the artifacts and pore over the information on the placards. JUPITER leans towards a placard to read it. JUPITER: Hmm. "The Amber Room". That certainly explains the hype. I thought it was transmuted for thaumic ordnance in the 7th Occult War? XERXES: I'd let the doctors worry about that instead. Dr. Hanania moves deeper into the gallery before noticing and stopping in front of a doorway. Dr. Hanania collapses with a loud thud after looking into it. JUPITER: Dr. Hanania? Are you alri-- Camera view moves upwards from a fainted Dr. Hanania to a large pile of limestone bricks at eye level. As the footsteps of Dr. Karstensen and XERXES approach from behind, JUPITER cranes further upwards. The pile of bricks is revealed to be a small subsection of the base of a large pyramid, illuminated by spotlights hanging from the dark ceiling of an even larger room. JUPITER: What. [END LOG]"last bastion of humanity, 2047 CE". [End Log]"

CHATBOT: Dr. Hanania, despite a slight limp, continues to explore a hallway with the group, expressing excitement about discovering lost artifacts. They discuss the possibility that the anomaly they are investigating is creating copies of real items. Dr. Karstensen questions the authenticity of these items, as they cannot be cross-referenced or verified. They enter a gallery where Dr. XERXES shows Jupiter a flag that is identified as the Republic of Britain after the English Revolution of 1788, surprising Jupiter. The room is filled with exhibits from different historical periods and Drs. Hanania and Karstensen argue about the significance of these ahistorical exhibits. XERXES then discovers a fragment of a wall with the SCP Foundation logo and the description of it being the last bastion of humanity in 2047 CE.

CHATBOT: SCP-7557-1 has been further explored, revealing the discovery of approximately 2,318 items of Foundation origin or manufacture. One-third of these items are decommissioned or neutralized anomalies, with the majority originating from the late 20th to early 21st century. No exhibits have been found from after 2052 CE. Some notable items include a malfunctioning replicator that creates organisms that expire within 12 seconds, a large cylindrical structure with a corrupted server system, an advanced radioactive prosthetic arm, and a reconstruction of a sculpture made of fragments covered in blood and excrement. The origins of these items range from Yellowstone National Park to the Bering Sea to Tokyo, Japan.

Cluster 18

Sep 17, 2023 at 6:17 AM EDT — 1 turn United States, Connecticut fiction fanfiction View full conversation

USER: Summarize "Dr."The group walk along a balcony overlooking an atrium in silence. Dr. Hanania is seen walkingturns to look at the exhibit occupying the atrium, a colossal humanoid automaton made of bronze, but does not say anything. XERXES: Right, this is as deep as we'll go for this expedition. We'll take a break and then start heading back. Going by our revised maps, we should be able to get back to the entrance while covering new ground. Silence on recording for several minutes, save for background noises caused by the consumption of rations. JUPITER: You two have been awfully quiet since the wall fragment. KARSTENSEN: Quite. JUPITER: It's about the anomaly, isn't it? The deal with a slight limp in front of the group, peering left and right through archways and doorsthis place? KARSTENSEN: Yeah. I'm not sure if I want to discuss my theories, and if Karim's silence is anything to go by, he's also arrived at the same conclusion. JUPITER: Do tell. KARSTENSEN: It's just-- These aren't copies. Not likely. There are too many anachronisms. Too many duplicates with minor differences. Too many contradictory placards. The Foundation can reset history as many times as they walk down a hallway.like, but there are only so many times you can redo the Bronze Age. All these artifacts, they're real, but they may very well be from other realities. XERXES: That would explain the wall fragment. HANANIA: That only explains how the fragment could end up here, but not why. If what we've seen is anything to go by, that wall fragment is here for the same reason that thing is here. Dr. Hanania points towards the bronze automaton in the atrium. HANANIA: There's no longer a reason to use it for its intended purpose, which poses the question. What happened to the Foundation in the wall's reality of origin? KARSTENSEN: AreI mean-- if it's here, that means whatever happened, already happened. In a relative sort of sense. It's not really something we should be concerned about. Silence for several seconds. JUPITER: Well, uh. I think I'll go for a post-lunch stroll around this general area. XERXES gives a thumbs up in acknowledgement. JUPITER separates from the group, circling around the atrium with the camera. She whistles softly, peering into rooms as she passes by them. She freezes in place outside one such room. A supply cabinet door, slightly ajar and visually identical to SCP-7557 is seen within. JUPITER: XERXES! I think I found something. 4 minutes of extraneous footage removed for brevity. KARSTENSEN: I mean, are you sure you're well enough to keep going, Karim?it isn't an exhibit? HANANIA: And missI don't see a placard anywhere. Do you think that maybe, the original door we came through is capable of, I don't know, teleporting? XERXES: No, it's-- It's not that kind of door. We already checked and we're 85% certain this is an anchored gateway. HANANIA: Only 85%? As JUPITER approaches the door, the noise of the team members debating is gradually drowned out by the sound of rushing wind. She cautiously opens the door, and steps through into the central courtyard of the British Museum. JUPITER proceeds down a flight of steps, looking in all directions for any signs of activity in an otherwise empty courtyard. The other team members slowly filter through the door in the background. XERXES: Well this is convenient. We might even be able to call our expedition here and avoid having to walk a few marathons back to the other door. I'll contact 44 first to let them know our weeklong expedition got cut short. JUPITER: Something's off. The museum should be having peak hours around this time. The shops aren't even ope-- JUPITER flinches upon seeing a desiccated human corpse in a janitor's uniform, lying behind a pillar. JUPITER: Right. Wonderful. Don't come over here, folks. There's a dried up body here and trust me when I say you do not want to see this. HANANIA: Oh, alright then. We'll just make do with the ones back here. The camera abruptly pans over, revealing more corpses in various locations scattered around one of the entrances into the courtyard. All are wearing museum staff uniforms. Dr. Hanania is seen pointing at a nearby body, while Dr. Karstensen is staring at another analytically. HANANIA: Oh, don't look at us like that. What kind of archaeologists would we be if we couldn't handle a few cadavers? JUPITER: Didn't you faint the second you saw that pyramid? Dr. Hanania shrugs. KARSTENSEN: Hey JUPITER, I think those peak hours you mentioned are all lying in front of the ticket counter over here. Dr. Karstensen trails off as she walks towards the aforementioned ticket counter and away from the camera's view. XERXES approaches JUPITER with transponder in hand. XERXES: Can't get through to 44. Nor anyone else, really. Something about a transmitter error, and it's not on account of our equipment. JUPITER: Okay, uh. I'm getting the feeling that we may have gotten off at the wrong door, so we should go back. Now. XERXES: I concur. JUPITER and XERXES walk back to the doorway, calling for Drs. Hanania and Karstensen to follow. HANANIA: Wait, so are we not going to look into this? Not a chance. Who knows what lost artifactsXERXES: Nope, we're going to make a note of it and let someone else do the Scooby-Doo'ing. Plus, there's no telling that whatever killed them didn't stick around. JUPITER: You think we could stumble across in this place? Plus, I've already slept off most of the pain. JUPITER: So, uh, would you say this anomaly is making copies of items and buildings in baseline reality and displaying them here? HANANIA: Quite possibly so. You saw the Amber Room earlier, but the books inside? Much older. We don't even have tabs on them, much less a copy sitting in a deepwell somewhere. They have been wholly lost to the sands of time, and yet, here they are.might be compromised? KARSTENSEN: I'm notleaning towards no. These deaths look sudden, and ours would've been too convinced that's the case. We don't have the ability to cross-reference nor verify the authenticity of some of these lost items, so how doif we know they're actually copies of the real thing? How do we know these actually existed? The group enter a gallery at the end of the hallway. Drs. Hanania and Karstensen can be heard debating heatedly in the background.were compromised in any capacity. JUPITER: Fair point. With all members back within SCP-7557-1, JUPITER approaches XERXES with the camera, who is looking at a red, white, and green tricolor banner hanging on a nearby wall. XERXES: Hey. Take a look at this thing. Take a guess at which flag this is without reading the placard. JUPITER: The flag of Hungary? XERXES: Yeah, no. Apparently, this is the flag of the Republic of Britain after the English Revolution of 1788. JUPITER: The what? As JUPITER looks around the room, numerous exhibits such as muskets, artillery, and a guillotine are visible. Drs. Hanania and Karstensen also take notice of this, the latter gesturing to a nearby painting of the execution of a King James IV in London with a smug expression. KARSTENSEN: See? There's more to this place than what you thought. HANANIA: Sure, but how do we know this isn't something that was erased by some retrocasual anomalous event? Hell, maybe there's something beyond our clearance level that's responsible for such a situation. The two continue to debate on the ramifications of the existence of ahistorical exhibits, while XERXES is seen walking into an adjacent gallery, staring at something off-screen. JUPITER follows while waving at the doctors to come along. As she peers out of the doorway, XERXES is revealed to be staring at a fragment of white brick wall, dirtied by blast marks and bullet holes. Painted in black on the wall fragment is the logo of the SCP Foundation. XERXES begins to speak dryly, reading off the accompanying placard. XERXES: "Wall section from SCP Foundation Site-120". XERXES looks back at JUPITER with his eyes wide open. XERXES: "The last bastion of humanity, 2047 CE". [End Log]"closes the door and locks it. [END LOG]"

CHATBOT: The group explores an atrium with a bronze automaton. They discuss the anomaly and theorize that the artifacts may be from other realities. They find a door that leads them to the British Museum, where they discover desiccated bodies of museum staff. They decide not to investigate further and return to their original location. They lock the door behind them.

Cluster 18