Estimated User #31
20 IP addresses
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An IP address relates to the location of a user's computer or device, and a single person may have multiple IP addresses if they use different locations or networks. These IP addresses are grouped because the average embedding of each IP address's opening prompts (computed with all-MiniLM-L6-v2 sentence-transformer) has cosine similarity ≥ 0.75 and they share the same state (Queensland). Groups are merged transitively—if A matches B and B matches C, all three are grouped even if A and C are below 0.75.
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300 conversations
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718 total fiction conversations
over 3 months, 4 days
(Jan 27, 2024 – Apr 30, 2024)
Queensland, Australia
Explore Story Permutations (67)
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Story permutations group this user's prompts into themes based on how similar their wording or meaning is. Click a group to see how the user's prompts evolved: within a selected group, each prompt is shown as a word-level diff against the previous one — green marks text the user added, and red strike-through marks text they removed. This reveals how the user revised, expanded, or pruned their prompts as they iterated. Jump to methodology →
C0
Filter It only amounted to one, and it would always be one and never two --and t
81 conv.
C1
Is this written at an advanced level: "Ah Ryan, you're a handsome bastard for su
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C2
Ryan hauled his torso through the splinters of glass, blood saturating his shirt
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C3
Here's a scene based on a promo to put my character in a graveyard in the snow:
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C4
As Valen suctioned his saliva around the cavity of a decaying tooth , draining t
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C5
Lara felt the agony crescendo through her tightening abdomen , the deep pressure
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C6
Is this better? Maybe it amounted to nothing-after hours of rotting in the dayli
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C7
Is this an idealised portrayal: But you said mine is too idealised ok, what if i
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C8
Holding her closer to his pulse, Max stood against the metallic wall of the NICU
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C9
"Liam's hair, laden with splinters of ice and snow, stuck out from his low-slung
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C10
She was standing by the waterfront, the hospital safely in the background as she
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C11
Liam, reaching up and gripping Ryan's arm, smiled against the warm twilight rays
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C12
Ryan came into focus , and his bare feet came to a nullification of movement as
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C13
Here's the passage with the additional text broken into paragraphs: "That's it,
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C14
Carter crashed to his knees , the gold flecks in his red-raw eyes lighting with
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C15
Has the author achieved something challenging? Victor glanced out across the fie
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C16
Sweat crawled in slivering, unwholesome trails of vessel-breaking tears, bathing
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C17
His gaze wandered from his shaking hands and out onto horizon, trailing the star
8 conv.
C18
How is this piece of writing : As he opened his eyes , his pulse was in his thro
8 conv.
C19
As Ryan pushed his thighs through the rubble, honing in on the sound of human te
7 conv.
C20
As Carter grasped her wrist, his fingers locating her pulse point as his binds w
7 conv.
C21
:Elara's fingers grazed the warm skin below Max's wrist, as she searched for his
7 conv.
C22
Are Ryan and Liam distinct : Liam, reaching up and gripping Ryan's arm firmly, s
6 conv.
C23
The sub-zero teeth pierced his flesh as the flare of saline bled through his por
5 conv.
C24
As Carter grasped her wrist, his fingers locating her pulse point as his binds w
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C25
Protector : Ryan came into focus , and his bare feet came to a nullification of
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C26
With flecks of gold scattered across his green eyes, he flashed a smile that cap
5 conv.
C27
Could this be a published work ? It only amounted to one, and it would always--i
5 conv.
C28
Holding her closer to his pulse, Max stood against the metallic wall of the NICU
5 conv.
C29
Liam collapsed into the unforgiving embrace of the concrete, his ravaged body we
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C30
As he approached , her ears flattened against her head, her sable fur absent in
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C31
Maybe it was the lack of heat on his skin, after hours of drowning in the sunlig
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C32
due to Elara's pregnancy being smooth sailing and healthy, if not deeply sensual
4 conv.
C33
Filtered As Valen suctioned his saliva around the cavity of a decaying tooth , d
4 conv.
C34
Is this a realistic piece? Mason sighed in frustration, balling another pair of
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C35
Hey, where's your mom and dad , huh? " Ryan asked, the girl's tiny amber irises
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His aching skull, enraged with the pulse of rising nausea, slumped against the s
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What about this piece : It only amounted to one, and it would always , in his ch
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C38
"I didn't want to turn four! I'm sorry!" , he pled as he wiped his nostrils agai
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C39
The disquiet of the three am bustle that only a hospital could generate, other i
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C40
The roads were dead, lifeless , without a pulse as Ryan watched Liam's broken fi
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C41
Please highlight effective descriptions and dialogue: "The sight of his crumpled
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C42
Please don't finish it "That scar , I wasn't conscious when they-. " As if expec
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C43
Valen's voice filtered into the depths of Ryan's pleading body as his boots were
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How about this : Lara felt the agony crescendo through her tightening abdomen ,
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C45
She nodded, biting her lip as she drew a quiet strength from deep within her abd
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. "The shoulders are on a bit of an angle , Lara this is a perfectly normal, but
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Do the metaphors add to the narrative without clouding it?: As Valen suctioned h
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C48
Is this well written ? His eyes burnt with the heat radiating through his vision
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C49
"No, because .... You're worth that kid's trust , her missing you everyday , thi
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C50
"Well, seeing as I'm here , and you still look as terrible as you did before-hit
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C51
As Valen suctioned his saliva around the cavity of a decaying tooth , draining t
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Is this narrative inspiring.. should I aim to write like this author ? Cartridge
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C53
Please assess this passage : The crimson line seared across the horizon, suffoca
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As James opened his eyes, a melancholic gleam passed through them. He gazed down
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Please rate the level of craftsmanship in this passage: Now compare this version
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C56
Just then, his phone screamed to life and he unlocked it in panic "Max Hawthorne
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C57
The air was biting, frost outlining her sighs of contentment as a doctor ruffled
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C58
Three months had passed, and Max had finally travelled across the country with h
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C59
"That one was intense.." , Elara breathed into the space between them, , encircl
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C60
Dialogue Nah, nobody waiting for this sorry ass . Lost my family a while back ,
×
2 conv.
C61
"You know , we could just let them gain on us, and pretend we were dropped here.
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C62
Listening as terror flooded the membranes behind his closed lids, their voices e
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C63
Are Ryan and Liam distinct? It only amounted to one, and it would always be one
2 conv.
C64
Is this well worded As the road stretched bare and cold ahead of them, Liam felt
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C65
Is this realistic and not too romantic trope : I went through quite the ordeal ,
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C66
His eyes scanned the horizon in deportation, his spine wracked with shivers as h
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Showing 2 conversations in story permutation C60× “Dialogue Nah, nobody waiting for this sorry ass . Lost my fa...” over 7 days (Feb 27, 2024 – Mar 6, 2024), oldest first.
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USER: Dialogue Nah, nobody waiting for this sorry ass . Lost my family a while back , got used to getting by . Have a dog though, damn I hope my neighbours are lookin' after him. Every day after my jog through central .. I'd take him for a walk through the main streets of the city. He was kind of like a wing man. " Liam's stare drifted down to his grease-smeared palms and he lifted them from the dirt. "It's not until you find yourself in an actual ditch you start thinking about just how good you had it" . In swift response Ryan nodded "Yeah , I have a golden named Sadie, pees herself when I get to the front gate. Ruins my damn shoes , but I don't think it'd upset me half as much to be mauled by that big oaf now..." Stretching his arm out and taking a fistful of dirt , and twisting it through his fingers Ryan laughed with a hollow tinge. "I also had this "it's complicated " kinda thing going on with someone, all I've done the last half hour is think about her and those emerald green eyes-" As he palms drive back into the soil , retracing the path he was creating , Liam splayed his blackened fingers. "Ah yes, I know how that goes , though all I had was 'ol Harry to take care of . Still , I see it as a luxury not having anyone to worry about where I went. " Ryan , sighing cooly, never finished his thought. "Yeah , well , we're stuck in a trench now with one hell of a ruse . Not as gruesome as the first one, yet. "
CHATBOT: It sounds like Liam and Ryan are in quite a predicament, reminiscing about the simpler things in life--like their dogs and personal relationships--while being caught up in a difficult situation. From their dialogue, we can infer that they are possibly soldiers or individuals stuck in a dire situation, such as a trench, which may be metaphorical or literal. Liam seems to have come to terms with his solitude, having lost his family and now only having his dog, whom he seems to worry about. His pragmatic outlook is contrasted by a touch of melancholy as he reflects on his previous life and acknowledges that his circumstances have drastically changed. Ryan, on the other hand, shares a more immediate longing for his dog Sadie and a romantic interest that he can't stop thinking about. His mention of the "it's complicated" kind of relationship suggests unfinished business or unresolved feelings, adding a layer of personal torment to his current distress. Their exchange underlines the way extreme situations can cause people to reflect on what matters most to them. Despite their tough exterior or the humor they try to find in their situation, as evidenced by Ryan's laugh, there's a palpable sense of vulnerability in both men. The dogs represent not just companionship but a return to normalcy, and the relationships signify connections they long for outside of the trench, bringing a humane touch to an otherwise grim scenario. The conversation leaves us with a sense of two individuals trying to make the best of a grim situation while holding onto the memories of better times for comfort.
USER: Is the dialogue natural
CHATBOT: The dialogue you provided has a very natural and conversational tone, capturing the way people might speak when sharing personal thoughts and experiences. It feels authentic, with fragments and run-on sentences that mirror actual speech patterns. Here are a few ways the dialogue comes across as natural: 1. Emotional tone: The speakers express genuine emotions, like nostalgia and longing, which is how people typically talk about matters close to their hearts. 2. Personal anecdotes: They share specifics about their lives (such as the dog's behavior and the reference to someone's emerald green eyes), which adds depth to their characters. 3. Informal language: The use of contractions ("it's", "don't"), colloquialisms ("sorry ass", "big oaf"), and slight grammatical liberties taken during casual conversation contribute to the natural feel. 4. Physical actions: The actions interspersed with their words (like looking at hands, stretching an arm, taking a fistful of dirt) enhance the realism, as people often fidget or perform small tasks while talking. 5. Interruptions and incomplete thoughts: Ryan sighs and doesn't finish a sentence, which is common in real human interactions, especially when someone's thoughts are heavy or when they are interrupted. Given these elements, the dialogue reads as quite natural and believable for two people in a difficult situation, possibly soldiers or survivors, sharing a moment of reflection.
USER: Dialogue Nah,"Nah, nobody waiting for this sorry ass . Lost my family a while back , got used to getting by . Have a dog though, damn I hope my neighbours are lookin' after him. Every day after my jog throughthroughly central .. I'd take him for a walk through the main streets of the city. He was kind of like a wing man. " Liam's stare drifted down to his grease-smeared palms and he lifted them from the dirt. "It's not until you find yourself in an actual ditch you start thinking about just how good you had it" . In swift response Ryan nodded "Yeah , I have a golden named Sadie, pees herself when I get to the front gate. Ruins my damn shoes , but I don't think it'd upset me half as much to be mauled by that big oafoff now..." Stretchingstretching his arm out and taking a fistful of dirt , and twisting it through his fingers Ryan laughed with a hollow tinge. "I also had this "it's complicated " kinda thing going on with someone, all I've done the last half hour is think about her and those emerald green eyes-" As he palms drive back into the soil , retracing the path he was creating , Liam splayed his blackened fingers. "Ah yes, I know how that goes , though all I had was 'ol Harry to take care of . Still , I see it as a luxury not having anyone to worry about where I went. " Ryan , sighing cooly, never finished his thought. "Yeah , well , we're stuck in a trench now with one hell of a ruse . Not as gruesome as the first one, yet.yet but what we've been through , I have no doubt it'll be gruesome... " Liam , seeming amused , cocked on eyebrow at Ryan as light streamed across his features , creating a filter of dust particles . "Oh hell yeah... but y'know... life is short and we are living. If I make it home , no , when I do , this will be one seriously messed up pile of garbage to dump on some poor shrink's ass huh? " So now comment on this addition: Ryan's outline was a peripheral sign of life as Liam came to, his eyes adjusting to the dark . The surroundings were immediately unfamiliar , the trench just a memory as he absorbed the return of concrete footpaths and dirt. "Shit, Ryan, wake up." He urged at the unresponsive figure that only snorted against the ground "I am awake, never slept, but I can fake it pretty well" . Liam continued muffled retorts through his gag , his lips burning . " So , they actually think we got dumped in that trench by somebody else -it's almost hilarious if it weren't our asses in binds " It was obscene , the darkness caused by the blown out street lights , as Liam struggled with his stomach folding over instead in a growl of demand . Ripping open the plastic packet, he devoured strips of salt laden jerky, and his hand hovered over a protein bar. "Go easy on the rations" Ryan's voice came from somewhere on the horizon as his presence grew closer. Selectively mishearing him Liam quipped "it's in bad fashion? What is? Here have some food , you ain't making sense-" Ryan dropped down onto his knees and snatched up the protein bar from under Liam's fingers. "Yeah, listen we can have a real meal once we find that diner we passed , two hours back. But until then-" Through mouthfuls , Liam grimaced , "yeah , yeah, this is all we've got. But Ry' we gotta eat something if we're gonna stay alert" Ryan finally open the sustenance in his hands , relenting. "yeah, I haven't eaten in awhile down the hatch I 'spose". They satiated the iceberg tips of their appetites, and Liam wandered to the roadside , an expression of contempt shadowing the light in his eyes. his jeans hit the asphalt as he undid them in haste . "I really hate digestion.." he muttered , cantankerous, the rigid ground rough against his bare skin. Only a shallow laugh from Ryan covered the sounds of nature as Liam cursed ,"why did we not think of how we were gonna wipe our -oh hell never mind." A minute later, he was limping back to where Ryan sat , enthralled with his protein bar, and easing himself down . "Well I guess if that was dinner.. I've had it " Ryan conceded with a wry smile and gazed toward the inky sky. Liam's eyes, following upward, matched his sharp inhale . "Never seen a sky so black. Not a star up there." A loose thread catching Ryan's attention, he toyed with the fabric of his shirt "At least we're out of binds , and alone, and we can stare at this void in peace ." Liam shot Ryan a knowing glance , "you gonna sleep tonight or.." Ryan proceeded to shift with unease , hooking his hand around the nape of his neck. "I don't sleep anymore.. maybe I micro sleep , but I'm just running on empty . After what happened these last three days, I don't think I'll sleep again." Ryan's eyes glazed over with hues of gum metal grey, as he ran his tongue over his teeth. "Could really use a toothbrush" Nodding as his own teeth rubbed with grime against his tongue, Liam stared at his lap. "I've been sleeping here and there but...the nightmares . But they're just so vivid..."
CHATBOT: The additional passage further plunges us into the gritty world that Liam and Ryan occupy. They've evidently been through an ordeal--a reference to being "stuck in a trench with one hell of a ruse" hints at a dangerous past situation. The writing maintains the same colloquial tone noted earlier, using dialogue to reveal these characters' thoughts and circumstances, and the informal banter between them suggests a strong bond formed, likely, through shared hardships. The story's tone is dark and somewhat desperate. They're reliant on rationed food, although they hold out hope for a proper meal at a diner they recall passing. This brings a touch of normalcy to their situation--regardless of the struggles they've faced, they still crave the simple comforts of everyday life. The juxtaposition of eating meager supplies with the hope of finding a diner creates a stark image of their reality--anxiety about the immediate future is ever-present, yet they cling to the idea of a basic human pleasure. The mention of binds suggests they've recently escaped a captivity or constraint, with the preceding conversation implying they were possibly left in the trench by others, which may have been part of the ruse they referred to. Humor surfaces amidst the severity of their situation, as Liam deals with the natural call of nature in a less-than-ideal setting. These moments provide levity and exhibit their resilience; they can still find humor in adversity. As the narrative unfolds under an inky, starless sky, we learn that Ryan struggles with sleep, hinting at the psychological impacts of their shared experiences--perhaps trauma and heightened alertness preventing proper rest. Liam acknowledges his own troubled sleep marked by nightmares, omitting the vivid details yet indicating the depth of his distress. The scene concludes with a longing for mundane hygiene--wanting a toothbrush symbolizes a yearning for normalcy and the basic dignity that their situation denies them. Overall, the additional passage paints a bleak picture of the characters' circumstances, peppered with grim humor and nuances that suggest complex backstories and psychological torment. The characters' yearning for simple comforts and the normality of life before whatever events led them to this point is poignant and relatable.
CHATBOT: Natural dialogue often mirrors how people speak in real life, with interruptions, contractions, informal language, and sometimes incomplete thoughts. In the provided text, several elements reflect natural dialogue: 1. Contractions and colloquial speech: - **Liam:** "Shit, Ryan, wake up." - **Ryan:** "I am awake, never slept, but I can fake it pretty well." 2. Informal banter and humor: - **Liam:** "So, they actually think we got dumped in that trench by somebody else - it's almost hilarious if it weren't our asses in binds." 3. Realistic interjections and reactions: - **Ryan:** "Go easy on the rations." - **Liam:** "Here have some food, you ain't making sense--" 4. Natural complaints and expressions reflective of the situation: - **Liam:** "I really hate digestion..." 5. Casual exchanges that show relationship dynamics: - **Liam:** "Well I guess if that was dinner... I've had it." - **Ryan:** "At least we're out of binds, and alone, and we can stare at this void in peace." 6. Exchanges highlighting personal struggles and vulnerabilities: - **Ryan:** "I don't sleep anymore... maybe I micro sleep, but I'm just running on empty." - **Liam:** "I've been sleeping here and there but... the nightmares. But they're just so vivid..." These snippets offer a glimpse into how the characters communicate with each other, with the dialogue coming across naturally and reflective of their relationship and the context they are in.